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His first film was Malaya, Mutya ng Gubat (Malaya, Muse of the Forest), 1948, starring Mila del Sol and Teody Belarmino.
He was assistant cameraman to Ray Lacap in Hantik (Black Ant), 1950, which won the Maria Clara best supporting actor award for Tony Santos Sr. He also photographed the prize winning Avellana documentary, El legado (The Legacy), 1959.
The Citizens Council for Mass Media (CCMM) honored him for best cinematography for A Portrait of the Artist as Filipino, 1965.
He received the Natatanging Gawad Urian in 1983 for his outstanding contributions to Philippine cinema, and the Film Academy Achievement Award in 1992. Pareja ACTORS WORKSHOP FOUNDATION (AWF) A nonstock, nonprofit foundation, the AWF aims to provide training to actors through workshops.
His partners in this venture were his wife and two high school buddies, film assistant director Gregg de Guzman and sound director Amang Sanchez.
Their first movie production was Tanikala (Chain), 1980, a period film.
Agana’s daughter, Marita, had a short-lived stint in the Philippine movies as “Tessie Agana Jr.” Marita appeared in For You Mama, 1970, with Gloria Romero and Luis Gonzales, and in Elizabeth, 1971. She also portrayed the young Irene Marcos in Pinagbuklod ng Langit (Joined by Heaven), 1969, and was one of the children in Lino Brocka’s Wanted: Perfect Mother, 1970. He has portrayed a variety of roles: a hippie in Beatnik, 1960; a Western gunfighter who challenges Dolphy to a duel in Barilan Sa Baboy-Koral (Gunfight at Pig’s Corral) and the devil, Lucifer, in Si Lucio at Si Miguel (Lucio and Miguel), 1962; and a wacky private sleuth in Detective Kalog and a fierce tribal chieftain in Tansan vs. Their siblings, Gabriel and Marita, work as model makers. All, except Ang Klon, have won awards in short-film festivals of the Experimental Cinema of the Philippines (ECP) and the Cultural Center of the Philippines (CCP). She played her first lead role in Jingy, 1967, opposite Fernando Poe Jr. He was married to Ester Hugo with whom he has seven children.
Abaya has won awards both for his work in film editing and cinematography. He was educated at San Miguel Elementary School in Bulacan and Manila High School.
In March 1988, it set up a theater company which produced a play, Manly-linlang (Filipino adaptation of Norman, Is That You? The AWF is recognized by the Film Academy of the Philippines as an educational entity for its actors and is a member of the FAP Board of Governors. Her other movies include Mapuputing Kamay (The White Hands), Anak ng Espada (The Child of the Sword), Munting Koronel (Little Colonel), and Kerubin (Cherub). She married actor Miguel Anzures and together they appeared in several movies before the war. Her other prewar movies are: Mapait na Lihim (Bitter Secret), 1938, with Rosario Moreno; Pasang Krus (Bearing the Cross), 1939, with Corazon Noble and Rogelio de la Rosa; Gabay ng Magulang (A Parent’s Guide), 1939, with Yolanda Marquez; Walang Tahanan (No Place to Call Home), 1939, with Carlos Padilla Sr.; and Takip-Silim (Twilight), 1939, the picture that launched the famous love team of Carmen Rosales and Rogelio de la Rosa. She was part of the cast of Sebya, Mahal Kita (Sebya, I Love You), which started as a radio show over DZXL and was later made into a movie by LVN in 1957. She married actor Michael de Mesa with whom she has three sons. Alajar was only eight years old when she auditioned for Lea Productions ’ Kaibigan Ko ang Santo Niño (The Holy Infant is My Friend), 1967. He performed at the Orient Theater together with Pilita and Dolphy, among others, in 1945. and Rolinda Alcazaren, the two brothers finished elementary and high school at the Don Bosco Technical College.
She was under exclusive contract with Sampaguita and did not work for any other movie company except Alta Productions, the Agana firm which produced Kung Ako’y Maging Dalaga (When I Grow Up To Be A Lady), 1955. On television, she appeared as a mainstay in the sitcom, Si Tatang Kasi (Blame it on Father), 1970. She stood out from among close to 300 aspirants and won the title role opposite Roderick Paulate in the film. Goaded by Bayani Casimiro, he joined the movies and first appeared in Sa Isang Sulyap Mo, Tita (With One Glance From You, Tita), 1949. Miguel obtained his bachelor of arts degree in communication arts from the Ateneo de Manila University, while Juan earned his bachelor of science in landscape architecture at the University of the Philippines. Actor son, Jon Hernandez, died in a car accident in 1993.
When not producing movies, they rent out their equipment to other filmmakers and conduct seminars and workshops for aspiring talents. His parents are Juan Abelardo, a scenic painter, and Cecilia Velayo, a designer of women’s costumes.
Aside from working in the movies as cinematographer and/or editor, Abaya also works as still photographer for commercial lay-outs and directs commercials for television. He studied at the University of the Philippines (UP) School of Fine Arts. Abelardo, brother to cinematographer Bayani Abelardo, and uncle to Ben Resella, art director of Sampaguita Pictures who later became a scenic artist in Hollywood.
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His other movies that received nominations in the best- cinematography category are: Tanikala and Working Girls, Urian; Brutal, Moral, and Desire, MMFF; The Graduates, Pinulot Ka Lang sa Lupa (You Were Merely Plucked From the Earth), and Nagbabagang Luha (Blazing Tears), Film Academy of the Philippines (FAP) Awards; and Hari sa Hari, Lahi sa Lahi (King to King, Race to Race), Star Awards. To him have been attributed such awesome and wondrous cinematic effects as human princes turning into figures of stone and vice versa in Ibong Adarna (Adarna Bird), 1941; the fantastic floating castle in Prinsesang Basahan (The Princess in Rags), 1949; the biblical Red Sea parting at the stroke of a cane in Tungkod ni Moises (Moses’ Cane), 1952; handsome Jaime de la Rosa transformed into a horrifying bat creature in Taong Paniki (Bat Man), 1952; Bayani Casimiro dancing upside down from ceiling-to-wall-to-floor in Big Shot, 1956; and the terrifying giant reptile monster sowing havoc in Tuko Sa Madre Kakaw (Gecko at Madre Cacao), 1959. Francisco aka Botong Francisco for the production design of some films that he directed, among them: Haring Kobra (King Cobra), 1951, where a mythical Balinese country near the Philippines was created; and Higit sa Korona (Above the Crown), 1956, where the illusion of ancient Egypt provided the backdrop for the longest swordfight in local movie history. He finished high school at the University of Manila.